LANA WILSON is a New York-based filmmaker. Her first film, After Tiller, premiered in competition at the 2013 Sundance Film Festival, and will be theatrically released by Oscilloscope Laboratories later this year. At Sundance, After Tiller won the IndieWire Critic's Poll for Best Documentary, and it went on to win top prizes at festivals across the country, including the Documentary Jury Prize at the Sarasota Film Festival and the Human Rights Award at the Full Frame Documentary Film Festival.

Wilson is also the Adjunct Curator for Film and Dance at Performa, the New York biennial of new visual art performance, where she has curated and produced performances by artists including Canadian filmmaker Guy Maddin, French choreographer Boris Charmatz, French collective L'Encyclopédie de la Parole, and American choreographer and performer Eleanor Bauer. She has also organized several film retrospectives, including Not Funny: Stand-Up Comedy and Visual Art, The Polyexpressive Symphony: Futurism on Film, and Dance After Choreography. Wilson has presented these programs at CPH PIX (Copenhagen), the Jerusalem International Film Festival, the San Francisco Museum of Modern Art, Tanzquartier Wien (Vienna), Anthology Film Archives, and outdoors on the High Line park (New York), among other venues. She co-curated and produced the omnibus film Futurist Life Redux (2009) and was the Editor of the book Performa 09: Back to Futurism (2011).

Wilson's work has been supported by the Sundance Documentary Fund, the Educational Foundation of America, Chicken & Egg Pictures, the International Documentary Association, Candescent Films, Women in Film, and the New York State Council on the Arts; among other institutions. Wilson holds a BA in Film Studies and Dance from Wesleyan University, where she graduated with honors.